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Philip Hearsey - Sculptor
Whereas bronze is most often used to reproduce a work originally
conceived in another medium, Philip Hearsey uses the sand-casting
process to create sculptural forms that honour and explore the qualities of bronze as a material
in its own right.
The
rim is critical; it is the interface between the container and that which
is contained - it is most
usually bright polished and not only reveals the beauty, colour and
solidity of the material but crucially exemplifies any asymmetry or
dichotomy between the outer surface of the piece as a whole, the
“container”, and the space or void that is contained.
The
alchemy of patination presents challenging, unpredictable and seemingly
endless possibilities. The colouring is not a coating, it is the surface
itself: it is a transformation of the material, by the material, and is an
outward manifestation and celebration of the bronze itself.
Elegant objects result
that do not rely solely upon their intrinsic beauty but possess an
essential presence and resonance. |